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Archive for the 'Vampires' Category

Quick Review: ‘Day Watch’ DVD

November 13th, 2007, 4:26 pm by Mike Moody

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“Day Watch
, the sequel to the thrilling 2004 Russian supernatural action flick “Night Watch,” will probably confuse fans of the original movie and alienate everyone else. That being said — er typed — director Timur Bekmambetov’s follow-up to his critically acclaimed hit is a fun, fast-paced and often inspired piece of pop moviemaking. The flick is far from perfect though, and it somehow feels a lot more hollow that its groundbreaking predecessor.

“Day Watch” had a limited theatrical run in the U.S., but fans can now catch it on a single-disc unrated DVD with an awkward commentary by Bekmambetov and a “making of” featurette.

Let’s talk visuals … It’s an understatement to call “Day Watch” a marvelous creative technical achievement. Bekmambetov and crew almost outdo themselves with some stunning visuals, CG and camera work here. “Day Watch” impresses not only with its incredibly implausible but mind-blowing action scenes but also with its gritty visual take on urban Moscow. Like “Night Watch,” the filmmakers again successfully sell the idea that a supernatural world full of super-powered beings exists alongside our own. Still, some things are off here. Unlike “Night Watch,” the subtitles on this unrated DVD, unfortunately, aren’t artfully weaved into the movie. They just sit there at the bottom of the screen and do their job instead of floating around and becoming part of the action. It’s a minor complaint, but I was really disappointed as I’m sure most American fans will be.

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Let’s talk story … We drop in on Anton, the hero of “Night Watch,” presumably years after the events of the first movie. He’s still our focus point in this odd world where Light (good) and Dark (bad) “Others,” or supernatural beings, live on Earth and police each other with bureaucratic rules based on an ages-old treaty. Things go wonky when Anton’s bratty preteen son, who became a Dark Other in the first movie, fires the first salvo of a supernatural war.

From then, the plot takes some fun and unexpected comic turns and moves along at light speed. Still, this second story in a proposed trilogy feels too much like a middle movie. “Night Watch” did a great job of introducing us into this strange world. “Day Watch” just shows us more of it, and it’s hard to grasp some important plot details and character motivations in one sitting. The story doesn’t really pull you in like it should, and that undercuts what could have been a astonishing surprise ending.

American audiences will most likely miss a lot of what makes this movie special, like a creative title sequence that parodies well-known Russian corporate logos and cameos by famous Russian sci-fi writers and genre actors. “Day Watch” is strictly for fans only. For maximum viewing pleasure, I recommend screening it as part of a double feature with “Night Watch.”

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Photos courtesy Fox Searchlight

Critical Mass: Week of 10/19

October 18th, 2007, 5:58 pm by Mike Moody

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Vampires, detectives, drama and fart jokes. There’s something for almost everyone opening in local theaters this week (except for you, Wes Anderson fan. “The Darjeeling Limited” still aint showing here). Read on to find out what the critics are saying about this week’s new releases. Yep, it’s Critical Mass.

- ‘30 Days of Night’
Tomatometer 44%, Metascore 51
Based on the horror graphic novel, a pack of bloodthirsty, and kinda blue-colored, vampires feeds on the residents of a small Alaskan town during winter’s prolonged darkness. Ben Foster stars as a nutcase, Josh Hartnett is the hero and Sam “Spider-Man” Raimi is the producer. Sounds like fun, no? Maybe. The critics are pretty split, but most say this horror flick packs some cool thrills.

“Excels at bloodthirsty action. … Result is a mixed bag but has a catchy premise and quite enough splatter to satisfy gorehounds.” -Variety

“Makes you feel the cold and feel the fangs, but it also makes you feel like 30 days is a pretty long time.” -Chicago Tribune

“This is a full-on, non-stop horror film. You’re either on the bus or off the bus. But if you are on, you’re hanging on with both hands.” - Arizona Republic

- ‘Gone Baby Gone’
Tomatometer 91%, Metascore 72
gone.jpg Ben Affleck’s directorial debut about the mystery involving the abduction of a young girl is easily the best reviewed film this week. Ben’s brother Casey stars with Morgan Freeman, Ed Harris and many Boston locals who, the critics say, give the flick an authentic and gritty feel.

“The brothers Affleck both emerge triumphant in this mesmerizing thriller.” -Rolling Stone

“Affleck shows excellent instincts, not least of which is letting his brother, Casey, hold the center…” -Entertainment Weekly

“Mordant, melancholic but impressive debut for director Affleck.” - Hollywood Reporter

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